I would consider the approach I take to the filmmaking process as my proudest creative asset. Film has always been both personally and professionally invaluable to me - and that value is mirrored entirely by the care and precision I offer every film I make.

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During filming, I prioritise the maintaining of an environment in which those on camera feel comfortable doing so, and feel a part of the process. I am not invisible in that space, but through personable and attentive interactions before, during and after filming, what I take into the edit is footage that feels wholly authentic and comfortable. This applies in any and all filming contexts - notably in education and arts spaces.

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During the edit, I will make the film my own. And through that, the final cut will feel so driven by the original project intentions that it will unequivocally feel like yours.